For 20 years now we continue to do original works of art and unforgettable experiences.
We want to keep alive the tradition of the Renaissance Bottega in a contemporary Florentine style.
With our team we work to bring the finest selection of contemporary fresco paintings and sculptures.
In our private ART GALLERY STUDIO IGUARNIERI you find original CONTEMPORARY ARTWORKS
featuring a multitude of genres with a focus on Florentine’s way of appreciative value.
Whether you are interested in purchasing a single painting or implementing and expanding a comprehensive art program, our private art gallery studio iguarnieri, is able to assist you on a multitude of levels.
In this website we document and share with the public our experiences, artworks, activities and painting tours around the world.
Art Gallery Studio Iguarnieri is the most well known studio of Local Artists in Florence, where Collectors buy Original Fine Art. The studio specializes in Contemporary Fresco Paintings and Sculptures for the Art Lovers from all around the world. In a national and international role by preserving, collecting, exhibiting, and understanding the contemporaneity of nowdays at the highest possible standards.
Artist’s Studio Gallery Iguarnieri, Lungarno Benvenuto Cellini 39, Firenze
Under the Michelangelo’s Piazzale, in front of the River, by the Poggi’s square ramp. Ten minutes walk from Ponte Vecchio, just outside San Niccolò doors, you find THE ART GALLERY STUDIO IGUARNIERI. In a townhouse with terrace by the Arno River, the florentine Masters Roberto and Rodolfo paint in fresco technique Florence, the Tuscany Landscape, tributes to Michelangelo, Botticelli, Da Vinci, Ghirlandaio, Brunelleschi, Masaccio, from the Spring till Picasso and Modigliani nudes, also by commission, you may satisfy every single wish for your home. The world wide shipping is guarantee.
Critics “Hands, in the magma of the visible”
The “manual” imprint which characterizes the fresco paintings of Iguarnieri apparently seems to distinguish itself through the various distances between figurations of reality and their representations. The given natural forms (landscape, human and vegetable forms) seem metamorphosed and exaggerated, in different ways, from the application of a very original technique of preparation and execution of the work: a type of fresco in progress applied to many different surfaces and capable of a myriad of following interventions until the final version is fixed.
Prof. Leonello Rabatti