Share the “Beauty” concept with the Art Lovers from all around the world.
We make original works of art and unforgettable experiences, with the Florentine excellence of quality and uniqueness distinguished sign.
In our private ART GALLERY STUDIO IGUARNIERI you find original CONTEMPORARY ARTWORKS
featuring a multitude of genres with a focus on Florentine’s way of appreciative value.
Whether you are interested in purchasing a single painting or implementing and expanding a comprehensive art program, our private art gallery studio iguarnieri, is able to assist you on a multitude of levels.
In this website we document and share with the public our experiences, artworks, activities and painting tours around the world.
Art Gallery Studio Iguarnieri is the most well known studio of Local Artists in Florence, where to buy original Fine Art.
The studio specializes in Contemporary Fresco Paintings and Sculptures for the Art Lovers and Collectors from all around the world. In a national and international role by preserving, collecting, exhibiting, and understanding the contemporaneity of nowadays at the highest possible standards.
Art Gallery Studio Iguarnieri, artist’s atelier, Lungarno Benvenuto Cellini 39, Florence, Italy
Under the Michelangelo’s Piazzale, in front of the River, by the Poggi’s square ramp. Ten minutes walk from Ponte Vecchio, just outside San Niccolò doors, you find THE ART GALLERY STUDIO IGUARNIERI. In a townhouse with terrace by the Arno River, the florentine Masters Roberto and Rodolfo paint in fresco technique Florence, the Tuscany Landscape, tributes to Michelangelo, Botticelli, Da Vinci, Ghirlandaio, Brunelleschi, Masaccio, from the Spring till Picasso and Modigliani nudes, also by commission, you may satisfy every single wish for your home. The world wide shipping is guarantee.
Hello Dear art lovers! Summer is arriving and we prepare to receive it with everything! Today we share you ...Read more→
Critics “Hands, in the magma of the visible”
The “manual” imprint which characterizes the fresco paintings of Iguarnieri apparently seems to distinguish itself through the various distances between figurations of reality and their representations. The given natural forms (landscape, human and vegetable forms) seem metamorphosed and exaggerated, in different ways, from the application of a very original technique of preparation and execution of the work: a type of fresco in progress applied to many different surfaces and capable of a myriad of following interventions until the final version is fixed.
Prof. Leonello Rabatti